Nov 3, 2015 - The Whitney Museum of American Art. He left a thin line of raw canvas between each band of color so that the squares and triangles that the bands make are visible. L. Rubin, Frank Stella: Paintings 1958 to 1965, A Catalogue Raisonné, New York, 1986, pp. Frank Stella: A Retrospective Stella the artist and the man. Also on view are drawings and maquettes that exemplify Stella’s conceptual and material process. -Frank Stella, Pratt Lecture, presented at Pratt Institute, New York, Winter 1960. February 28–May 16, 3200 Darnell Street These materials have been written for Elementary, Middle, or High School students. Showcasing works from all of his major series, the book surveys the full sweep of Stella’s career, from his artistic beginnings in high school and college to today. What other questions do they have? Fifty works, including paintings, r… Auping, Michael. It will be on view in San Francisco from November 5, 2016 through February 26, 2017. Ask students to think about what makes a painting different from other types of art, such as a drawing or a sculpture. By intentionally merging abstraction with decorative forms and almost psychedelic color, Stella challenged the traditions of abstract and decorative painting and the long-held notion of the avant-garde that abstraction had to be difficult. Introduce students to the work of Frank Stella. Students could choose their own descriptive word. “Learning how to make abstract paintings is just about learning how to paint, literally learning what paint and canvas can do.”. Showcasing works from all of his major series, the book surveys the full sweep of Stella’s career, from his artistic beginnings in high school and college to today. Then just 33 years old, he was—and still is—the youngest artist ever to have a retrospective at the Museum. “There are two problems in painting. His early works anticipates many elements of minimalism, which is why he is also considered by some a minimalist, although most of his later artworks are not strictly minimalist. (457.2 × 487.7 × 304.8 cm). © 2016 Frank Stella/Artists Rights Society (ARS), New York. Introduce students to the themes they may encounter on their museum visit. The Leo Castelli Gallery in New York held Stella's first one-person show in 1962. Enable students to reflect upon and discuss some of the ideas and themes from the exhibition. View in room. The Whitney’s online resources for K-12 teachers. Kunstmuseum Wolfsburg Hollerplatz 1 38440 Wolfsburg, Germany Hours: Wed–Sun 11–6pm, Tue 11–8pm. For example, fingers, hands, or sponges. Stella’s fearless attitude toward change and constant willingness to set himself new problems and explore new forms, materials, and techniques has meant that his art has always responded actively to its time. Private collection. Find Chapter 87 of Moby-Dick here: http://www.gutenberg.org/files/2701/2701-h/2701-h.htm. Do the shapes or patterns in this painting remind them of anything? The exhibition, titled ’Frank Stella: A Retrospective,’ is on view at the Whitney through February before it heads to the Modern Art Museum of Fort Worth the following summer, and then to the de Young Museum in San Francisco. 817.738.9215 Frank Stella Retrospective @ de Young. Leo Castelli Gallery, New York. b. Frank Stella. © 2015 Frank Stella/Artists Rights Society (ARS), New York. He’s still the youngest artist ever to have had a major retrospective at MoMA—at the age of 33, in 1970—and one of only a few to have had two retrospectives at the museum. Frank Stella: A Retrospective, Whitney, New York: ‘A chaotic mishmash’ A jumbled extravaganza that tries to rewrite a 60-year career by mixing up works from various phases 'Harran II' (1967). Ask students to create an abstract artwork based on a book you’ve read as a class or a book of their choice. Does their sculpture communicate a sense of the music and the adjectives they selected? e. Share and discuss students’ compositions. Frank Stella. This is based on the artwork’s average dimension. (216.5 × 205.7 cm). Frank Stella. 77 x 77 x 2 7/8 inches Consider what materials and tools it is made with, what the support can be (for example, canvas, paper, wall, wood, metal, glass), who makes the painting, and how it is viewed. de Young Museum. LaTurbo Avedon, Morning Mirror / Evening Mirror, Read an article about Frank Stella and his work in, https://www.youtube.com/watch?v=ibqjmrpHGi4, http://etc.usf.edu/lit2go/42/moby-dick/768/chapter-87-the-grand-armada/. In 1970, MoMA presented the first retrospective of the young abstract artist Frank Stella. a. Frank Stella, The Grand Armada (IRS-6, 1X), 1989. This landmark catalogue presents a retrospective study of Frank Stella (b. Ask younger kids what the shapes, colors and forms might sound like—for example, sharp, smooth, quiet, or loud. c. Ask students to share their completed works. Share. In the 1970s, building upon the bright colors of the late-1960s Protractor series and his seminal piece Harran II , Stella's works were more and more exuberant in style with curving forms, Day-Glo colors, and idiosyncratic brushstrokes that looked like scribbles. "It's not merely the length of his career, it is the intensity of his work and his ability to reinvent himself as an artist over and over again over six decades that make his contribution so important," says Adam D. Weinberg. “Frank Stella: A Retrospective” is an expansive presentation surveying the career of this towering figure in post-WWII American art, representing the artist’s prolific output from the late 1950s to the present day and revealing his dramatic influence on the cultural landscape over the last six decades. Their black stripes executed with enamel house paint were a critical step in the transition from Abstract Expressionism to Minimalism. 1936) ist einer der letzten lebenden Heroen der amerikanischen Malerei aus der Zeit der 1950er und 1960er Jahre. Gallery … Frank Stella – A Retrospective de Auping, Michael; Weinberg, Adam D.; Kantor, Jordan; Owens, Laura sur AbeBooks.fr - ISBN 10 : 0300215444 - ISBN 13 : 9780300215441 - Yale University Press - 2015 - … Moreover, he was comfortable with making beauty part of the work and with the fact that some people might think his paintings were merely decorative. What else might they see in the surrounding space? 85 1/4 × 81 in. Major works from the artist's Brazilian Bird, Exotic Bird, Indian Bird, Circuit, and Cones and Pillars series, including, In the last thirty years, much of Stella's work has been related in spirit to literature and music. The title of this work and its color scheme refer to Jasper Johns; the “dilemma” makes explicit reference to Johns’s statement that the more he worked in color, the more he saw gray. Frank Stella: A Retrospective comes to the de Young after a premiere at the Whitney Museum in New York and a showing at the Modern Art Museum of Fort Worth, Texas. Tense? Frank Stella A Retrospective Du 5 novembre 2016 au 26 février 2017 Fine Arts Museum of San Francisco, 50 Hagiwara Tea Garden Dr Infos et tickets ici. Can it tell a story, sound like music, or is it just lines, shapes and colors? Explore works, exhibitions, and events online. b. Image courtesy of the Whitney Museum of American Art. He bought unfashionable colors from the bargain bin, used a house-painter’s brush, and stretched his canvas on frames he built from 1X3" boards. Acquired from the above by the present owner, circa 1960s. Exhibition. Bill Saylor I used to walk by Frank Stella's studio on 13th Street in the ’90s a lot. Frank Stella a continué d'innover dans les années 1990 et 2000, en utilisant la technologie de la rédaction assistée par ordinateur et de l'impression 3D pour concevoir ses sculptures et ses propositions architecturales. Fort Worth, Texas 76107 In his approach to creating his shaped canvases in the late ’60s, there is no immediate or apparent understanding of how the piece is made. The Frank Stella retrospective at the Whitney Museum will likely provoke varied opinions, on a scale from great to god-awful. Want to sell a work by this artist? Closely associated with … Private collection. Located in New York City. de Young Museum, San Francisco, through February 26, 2017 deyoung.famsf.org . The use of curvilinear elements, which have often been compared to patterns traditionally found in Islamic art, added compositional and linear complexity to his work. In recent decades he has made strategic use of advanced technologies such as 3-D printing, and computer-aided design (CAD) software has been essential in his visualization and fabrication of complex sculptural forms. Biography. List at least five adjectives that describe the quality of your music. The shapes of the paintings are based on the semi-circular protractor, a tool used for measuring and drawing angles and curves. At first, this painting recalls the kind of diagrams artists have used since the Renaissance to render perspectival space, with foreground objects appearing larger and those in the distance receding. In the following decade, Stella began producing shaped canvases that opened up new possibilities for what “pictorial structure could be.” Rather than serving as neutral supports, the canvas and stretcher bars instead became essential parts of the image. Frank Stella: Whitney retrospective for abstract master - BBC News Frank Stella is one of America's greatest living artists. In this chapter, the narrator Ishmael describes a vivid scene: as the men look into the water, a group of mother whales nursing their young beneath the boats seem to gaze back at them. This retrospective is curated by Michael Auping, Chief Curator of the Modern Art Museum of Fort Worth, in association with Adam D. Weinberg, Alice Pratt Brown Director of the Whitney Museum of American Art, and Carrie Springer, Assistant Curator of the Whitney. Have them discuss what makes their composition convey peacefulness, energy, relaxation, tension, wildness, calmness, etc. In the late 1960s, Stella began gradually but methodically to incorporate increasingly different kinds of elements into his painting—color, material, and space—as if to see just how far he could push abstraction. Alkyd on canvas In 1970, at the age of 34, Frank Stella became the youngest artist ever to receive a full-scale retrospective exhibition at the Museum of Modern Art, New York. Have them choose three key images from the book or a chapter in the book to use. Frank Stella, K.81 Combo (K.37 and K.43) large size, 2009. See the Images and Related Information section of this guide for examples of works that may have particular relevance to your classroom. Marla Price, Director of the Modern Art Museum of Fort Worth, and Adam Weinberg note in the directors' foreword to the catalogue, "Abstraction constituted the major and, in many ways, defining artistic statement of the twentieth century, and it remains a strong and influential presence today. Fondation Beyeler, Riehen / Basel, Beyeler Collection. Frank Stella’s importance as an artist is rooted in the fundamental shift we viewers had to make to “see” his paintings. Stella said that he was “learning how to make abstract paintings. Frank Stella (b.1936), The Whiteness of the Whale (IRS-1, 2X), 1987. MoMA. Whitney Museum of American Art, New York; gift of Mr. and Mrs. Eugene M. Schwartz and purchase with funds from the John I. H. Baur Purchase Fund, the Charles and Anita Blatt Fund, Peter M. Brant, B. H. Friedman, the Gilman Foundation, Inc., Susan Morse Hilles, The Lauder Foundation, Frances and Sydney Lewis, the Albert A. Frank Stella, Harran II, 1967. If so, what? ", The exhibition begins with rarely seen early works, such as, Stella's highly acclaimed Black Paintings follow. The complexity of this series, made primarily in metallic relief with fabricated, cast, and found parts; prints; and freestanding sculpture, is a tour de force. 1936) is one of the most important living American artists. Photograph by Robert Bayer, Basel. Toggle navigation Lisez des commentaires honnêtes et non biaisés sur les produits de la part nos utilisateurs. I’ve appreciated and admired Frank Stella’s abstract art for many years, but the de Young Museum’s exciting retrospective enriched my understanding of Stella as an artist and a man. Explore works, exhibitions, and events online. Relaxed? Frank Stella: A Retrospective. As the first artist to receive a one-person retrospective at the new Whitney Museum of American Art, Frank Stella is an odd choice. Après l’obtention de son diplôme en 1958, Stella s’installe à New York City. The series was initiated by an encounter with a beluga whale in an aquarium, after Stella was struck by the animal’s unlikely combination of mass and grace. d. Ask students to find a partner and describe each other’s compositions. . The curator for the de Young’s presentation is Timothy Anglin Burgard . In past show. Ask students to share their thoughts with the class. It will be on view in San Francisco from November 5, 2016 through February 26, 2017. New Haven & London: Yale University Press, in association with the Whitney Museum of American Art, New York and the Modern Art Museum of Fort Worth, 2015. Rubin, William S. Frank Stella 1970-1987. Le De Young Museum accueille une retrospective exceptionnelle sur l’oeuvre du peintre américain Frank Stella du 5 novembre 2016 au 26 février 2017. 77 x 154 inches Frank Stella © 2015 Frank Stella/Artists Rights Society (ARS), New York.