20th Century & Contemporary Art Evening Sale at Phillips London, 13 February.. Kristy Stubbs Gallery. To find out more, including which third-party cookies we place and how to manage cookies, see our privacy policy. Frank Stella is one of the central figures in postwar American art. Carl Andre décrivait ainsi les peintures à bandes de Frank Stella : « L'art exclut le superflu, ce qui n'est pas nécessaire. Frank Stella est l’un des rares artistes à avoir vu organiser deux rétrospectives de son œuvre au Museum of Modern Art de New York (1970 et 1987). 17 août 2014 - Our evolving collection contains almost 200,000 works of modern and contemporary art. Nov 16, 2016 - Title: COMPOSITION NR 038 – “Square & Circle 024” – By EURICO HAAN – 2016 “Tribute to Frank Stella #3” Artist: Eurico Haan Completion Date: Feb/2016 Place of Creation: Uberlândia – MG – Brasil Style: Abstract Art Genre: abstract Technique: Acrylic Material: Canson 224gr/m2, Acrylic Dimensions: (A2) – 42 x 59 cm 1960. Caviar20. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. ... expect to see Stella’s famed Black Paintings alongside large, colourful sculptures from the 1990s, drawings and prints in the 18,000-square-foot space. This record is a work in progress. Discover (and save!) Please. Stella travaille également sur des supports en aluminium et en cuivre, également découpés. For schools & styles, see: Abstract Art Movements. See more ideas about Frank stella, Stella, Post painterly abstraction. Van de Weghe Fine Art is pleased to announce an exhibition of Frank Stella’s works on canvas from the ‘60s. Included will be penciled color sequences for the larger concentric square paintings (1973), flat foam-core cut-outs leading to the emergence of a more generous “working space” and 3D printed models from the 1990’s through the present outlining the use of digital technology. The dimension of this painting is 195.6 × 391.2 cm. Artwork page for ‘II’, Frank Stella, 1980. Depuis les années 1980, Frank Stella réalise des sculptures monumentales en acier poli ou brûlé. Artist, Graphic Artist, Mixed-Media Artist, Painter, Sculptor, Information from Getty’s Union List of Artist Names ® (ULAN), made available under the, Untitled (For Rosemarie on Pearl Harbor Saturday), Various Artists, Ad Reinhardt, Robert Indiana, Larry Poons, Roy Lichtenstein, Stuart Davis, Robert Motherwell, Ellsworth Kelly, Frank Stella, Andy Warhol, George Ortman, Various Artists, Lee Bontecou, Jasper Johns, Donald Judd, Roy Lichtenstein, Robert Morris, Larry Poons, Robert Rauschenberg, James Rosenquist, Frank Stella, Andy Warhol, Creative Commons Attribution-ShareAlike License. Frank Stella exhibited his “Black Paintings” at New York’s Museum of Modern art in 1959, effectively ending the hegemony of Abstract Expressionism. Il s'intéresse aux nécessités de la peinture... Ses bandes sont les chemins qu'emprunte le pinceau sur la toile. “Damascus Gate (Stretch Variation I) 1970” was one of the seminal paintings that made Frank Stella one of America’s great modern artists. He painted with intent to flatten surfaces and often chose square canvases. Après l’obtention de son diplôme en 1958, Stella s’installe à New York City. Il invente les shaped canvases (« toiles découpées »), dont le contour coïncide avec la limite extérieure de l’image ; elles sont noires, blanches ou multicolores. Apr 17, 2018 - This Pin was discovered by ART HuNTER. Frank Stella is an American artist best known for his use of geometric patterns and shapes in creating both paintings and sculptures. En 2001, une de ses sculptures monumentales (Le prince de Hambourg) est installée à la National Gallery of Art de Washington. Frank Stella. Available for sale from Bonhams, Frank Stella, Sinjerli Variation Squared with Colored Ground II (A. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). Today it is unveiled as a Boston mural. Discover how Frank Stella's love of commercial house paint helped him catch the eye of pop art pioneer Andy Warhol . In Frank Stella Prints: A Catalogue Raisonné, Richard H. Axsom notes the “French curves, ‘cookie cutouts,’ the serpentine and the heart-shaped form” that relate back to the forms in Stella’s Circuits paintings (238). Stella joined dealer Leo Castelli’s stable of artists in 1959. One is colorful while the other is black and white. Frank Stella initiated his Concentric Square and Mitered Maze paintings in 1962. Information from Wikipedia, made available under the. Frank Stella, Die Fahne hoch!, 1959.Enamel on canvas, 121 5/8 x 72 13/16 in. Early in his artistic career, Frank Stella learned about painting by questioning what it is. Stella lives and works in New York City. Courtesy of WS Development “Damascus Gate (Stretch Variation I) 1970” was one of the seminal paintings that made Frank Stella one of America’s great modern artists, part of his “Protractor” series begun in the late 1960s. From the mi-1980s to the mid-1990s, his works became more elaborate, marked by a vivid palette and tangles of curves, spirals and loops. Frank Stella first emerged on the scene in the late 1950s, when his Minimalist “Black Paintings” heralded a new era in postwar art. Le noir y est posé en bandes régulières séparées par de fins traits blancs, comme pour construire un pattern (motif) : c'est la fin de l'expressionnisme abstrait et le début de la peinture-objet, qui exerce une profonde influence sur la naissance du minimalisme. Artwork page for ‘II’, Frank Stella, 1980. Lawrence Rubin, Frank Stella: Paintings 1958 to 1965, New York, 1986, pp. Frank Stella’s “Damascus Gate (Stretch Variation I) 1970” has a new life as a 98×18 feet mural in … [+] Boston’s Seaport district. Although Stella’s intellectually challenging, geometric canvases initially confounded contemporary critics, they crystalized the minimalist aesthetic that defined 1960s postmodernism. You could say paint runs in Frank Stella's family. Minimalist art began in the 1950s with a group of artists who did not make paintings and sculptures about the things they saw in the world, like a house, or a bottle, or a snowy landscape. Skip to Main Content. Shoubeegi is a painting produced by Frank Stella in 1978. 1936) is one of the most important living American artists. Ces chemins ne conduisent qu'à la peinture. You could say paint runs in Frank Stella's family. This retrospective is the most comprehensive presentation of Stella’s career to date, showcasing his prolific output from the mid-1950s to the present through approximately 100 works, including paintings, reliefs, maquettes, sculptures, and drawings. Frank Stella's Cones and Pillars. Frank Stella’s new paintings investigate the viability of shape as such. Il étudie au lycée Phillips Academy d’Andover puis l’histoire de l’art à l’université de Princeton. Frank Stella ne s'intéresse pas à l'expression ou à la sensibilité. We've shipped over 1 million items worldwide for our 500,000+ artists. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected]. But then consider “Frank Stella’s Stars, a Survey,” a quiet but cheering exhibition at the Aldrich Contemporary Art Museum here. Il crée toujours des séries (oiseaux exotiques, fragments, vagues, etc.). 234-235, no. Contact for price. One of Stella’s “Concentric Square” Paintings featured at the Robert Mnuchin Gallery. For licensing motion picture film footage it is advised to apply directly to the copyright holders. For access to motion picture film stills please contact the Film Study Center. Frank Stella’s Black Paintings, executed between 1959 and 1960, marked a significant turning point in the postwar artistic canon.While artists like Willem de Kooning and Franz Kline were primarily concerned with the supremacy of the gesture, Stella produced a series of striking black canvases in which the emblematic nature of the gesture seemed to have been eradicated altogether.