Copyright© 2020 Fort Worth Symphony Orchestra. Paul Dukas was born in Paris, 1865. Paul Dukas, French composer whose fame rests on a single orchestral work, the dazzling, ingenious L’Apprenti sorcier (1897; The Sorcerer’s Apprentice). Categories  The reason for this change in opinion is largely down to Dukas’ most popular work, The next section is the very famous part, which starts with single notes in 1, which bounce from tonic and dominant. Of these, the only one to be performed regularly is this brilliant symphonic scherzo, which he composed in 1897. The eight-bar phrase is interrupted by smooth strings, who are shadowing the chord progression from the beginning of the piece. Whilst his career as a critic was thriving after writing reviews on the works of Wagner and Mahler, his composing career was questionable. The film turned out so brilliantly that Disney proposed adding other segments to make up a full-length concert feature. Only the sorcerer’s timely return averts a total disaster.The score portrays the events of the program in graphic detail, making it easy to follow the story. SKU 118404. The quick change from arco to pizzicato in the strings creates a very interesting timbre, which helps with depicting the different aspects of the magic. By far the most performed and recorded of Dukas's works, its notable appearance in the Walt Disney 1940 animated film Fantasia has led to the piece becoming widely known to audiences outside the classical concert hall. Paul Dukas - The Sorcerer's Apprentice (L'apprenti sorcier) review: A symphonic scherzo that picks apart an 18th century poem, and utilises it's subject theme to create one of the more memorable moments in orchestral history. According to celebrated conductor Leopold Stokowski, the project developed from a chance meeting with Disney in a Hollywood restaurant.

The orchestra then explodes into the main theme altogether, and the loud dynamic represent the strong magic.Fast passage work by the string section brings the piece into a brass-led explosion of sound (this is supposed to represent the sorcerer speaking the magic and stopping the brooms from cleaning). These include several fiction and nonfiction books, including novels by Elspeth Huxley and Hanns Heinz Ewers . Transpose, print or convert, download Classical PDF and learn to play 5-Finger Piano score in minutes. Orchestra Sheet Music. He and Stokowski collaborated on choosing them – and Fantasia was born.A donation to ASO puts instruments in the hands of children, makes live symphonic music accessible to all Arkansans, and makes it possible for world-class musicians to call Arkansas home.

The trumpets enter with the main theme and the orchestra all come up in terms of dynamic and energy. With the various changes in tempo, it reiterates the story of the young apprentice trying the magic, but losing control of it very quickly. Goethe’s story drew upon a much earlier tale, The Lie-Fancier, by the Greek author Lucian (120-200 A.D.).A young man, in the course of learning the art of magic from an aging sorcerer, tries to use certain spells during his master’s absence. These are talents that he shared with Russian composers of the same period such as Nikolai Rimsky-Korsakov.

Again, the mood drops and the strings play a short pizzicato section. After chopping up the broom, he realises the work is done twice as fast (hence the different tempo changes).Florence Price: Dances in the Canebrakes Context Born in Little Rock, Arkansas in 1887, Florence Beatrice Smith Price received early musical training from her mother.

The main theme has also returned, though this time in the string section. This is a very interesting and amusing choice in instrument. The quirky theme for the magic broom is particularly striking, especially when the bassoons introduce it.This piece is known to generations of film goers as the music that accompanies the antics of Mickey Mouse in the 1940 Walt Disney concert film, Fantasia. The story is depicted by Micky Mouse.

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