Though Clarendon itself was created by Robert Besley in 1845 it is inspired by the typeface Antique, one of the original slab serifs. The images below show some of Clarendon's most popular uses and in most of them we can really see the warmth that it brings to the table. Clarendon will be the title of the slab-serif typeface which was introduced in 1845 by Thorowgood and Co. (or Thorowgood and Besley) of London, a letter foundry typically known as the Fann Avenue Foundry. In London in the 1840s, the commercial applications of printing were increasing dramatically as the Industrial Revolution entered its second stage of expansion. It was apparently named after the Clarendon Press in Oxford.. I see the wood grain in the inked letters of old wanted posters, I see signs on wooden posts guiding me through a forest and wooden blocks with multi-colored letters and numbers carved into them.When I see Clarendon used in the world I don't necessarily picture myself in a forest or playing with blocks, but I do get feelings of warmth and hand-craftsmanship and with that comes a comforting timelessness.
After four trials they finally issued a typeface that was based on a clarendon/ionic model from the 1850s. A brief history. The original Clarendon design did not feature an In the late nineteenth century the basic Clarendon face was radically altered by foundries in the Intended as attention-grabbing novelty display designs rather than as serious choices for body text, within four years of their introduction the printer Because of their quirky, unusual design, lighter and hand-drawn versions of the style were popular for uses such as film posters in the 1950s and 60s.A radically different approach has been that of Trilby by David Jonathan Ross, who has written on the history of the genre.A heavy bold Clarendon was used for the cast brass locomotive nameplates of the Versions of Clarendon can also be seen in the logotypes of corporations such as On television, Craw Clarendon Bold was used in the early seasons of A brief history. See also the generic Clarendon/Ionic for more information. Even with its ability to demand attention, it does so in a gentle way that does not alarm, but speaks to you in a firm and loving voice.Clarendon is a wonderful example of a class of Slab Serifs called Ionic or Egyptian. Here, the Clarendon font stepped in. The typeface was published in 1845 after Besley, an employee of the foundry since 1826, was made a partner in the firm. Besley wanted to create a bold typeface that would work cohesively with standard text. A heavy bold Clarendon was used for the cast brass locomotive nameplates of the Versions of Clarendon can also be seen in the logotypes of corporations such as The Modern face would not have seemed so high in contrast in print at small sizes. Up until that point, italics had been used to focus a reader’s attention on particular words or phrases.

Many modern writers as a result ignore them and prefer the term slab-serif, providing individual descriptions of the features of specific designs. Clarendon IT as we know it today is the result of a redesign and reissue of a historical typeface so seminal that its name came to be used for all bracketed slab serifs of its era.

5…. It is a sturdy slab serif with brackets and is used prominently in many modern logos across the media spectrum, from People Magazine to Ruby Tuesday restaurants. One of the original target markets for Besley's Clarendon design was to act as a bold face within body text, providing a stronger Besley registered the typeface in 1845 under Britain's Ornamental Designs Act of 1842.With its growing popularity for display use, new versions often changed these proportions. The typeface was reworked by A variety of Clarendon revivals have been made since the original design, often adapting the design to different widths and weights. Besley quickly took advantage of legislation recently established under the Ornamental Designs Act of 1842 and patented the typeface. Clarendon was often used as a wood type in the Old West in what is now iconic poster art—Wanted posters, Reward signs, and the like. The result was Besley’s Clarendon. Clarendon is a slab-serif typeface that was created by Robert Besley for Thorowgood and Co. (or Thorowgood and Besley) of London, a letter foundry often known as the Fann Street Foundry. Clarendon is a wonderful example of a class of Slab Serifs called Ionic or Egyptian. Clarendon is a slab-serif typeface that was created by Robert Besley for Thorowgood and Co. (or Thorowgood and Besley) of London, a letter foundry often known as the Fann Street Foundry. Clarendons have a bold, solid structure, similar in letter structure to the Slab serif typefaces had become popular in British Slab serif lettering and typefaces originated in Britain in the early nineteenth century, at a time of rapid development of new, bolder typefaces for posters and commercial printing. Clarendon and Ionic became the names for this new development in England, known as English Egyptienne elsewhere in Europe.

Other articles where History of the Rebellion and Civil Wars in England is discussed: Edward Hyde, 1st earl of Clarendon: Early life and career. Clarendon IT as we know it today is the result of a redesign and reissue of a historical typeface so seminal that its name came to be used for all bracketed slab serifs of its era. This entry is for the Haas version (as well as phototype and digital versions thereof). It was apparently named after the Clarendon Press in Oxford.. It also created the related bold standard that still exists today for emphasizing text. The typeface was published in 1845 after Besley, an employee of the foundry since 1826, was made a partner in the firm. From its use in the National Parks Department to wooden children's blocks to Starbucks and Wells Fargo's identity, we can see how it has come to be associated with nature and natural products as well as the old west.The purpose of these posts is to ignite a curiosity to discover what typefaces can bring to what you are working on. However, the patents at the time lasted only three years; as soon as the typeface became popular, it was copied by other foundries.
In the late nineteenth century the basic Clarendon face was radically altered by foundries in the United States, resulting in the production of the 'French Clarendon' type style, which had enlarged block serifs at top and bottom.

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