Some teach us historical information or life lessons, and some just make us laugh. Many of Dostoyevsky’s characters are morally or idealistically corrupt. Some are vain, some are greedy, some are selfish, but in order to bring these stories to the harsh spotlight of criticism and challenge this immoral society, Dostoyevsky requires an outcast narrator’s annotations. These outcast archetypes do not belong only to one class of character. One of the earliest examples of the outcast archetype is the Ancient Greek philosopher Socrates.

“Come, try, give any one of us, for instance, a little more independence, untie our hands, widen the spheres of our activity, relax the control and we … yes, I assure you … we should be begging to be under control again at once” (Dostoyevsky 310; pt.2, ch.10).

He is far from a knight in shining armor; the man perpetuates the same abuse the girl had before.

Did you know that, or not? A former civil servant, a self-proclaimed “sick man” (Dostoyevsky 209; pt.1, ch.1), “spiteful man” (Dostoyevsky 209; pt.1, ch.1) and “unattractive man” (Dostoyevsky 209; pt.1, ch.1), the narrator reflects on becoming an outcast. As “reoccurring patterns, images, or descriptive details” (Crisp 2), they not only define the identity of an author’s characters, but the course of the plot, the journeys and the tragedies.

The hero in a story can be male or female.

She takes on a lover, a member of the man’s former regiment, without any regard to her marriage and even “laughs in his face at his declarations of love” (Dostoevsky 337; pt.1, ch.5). Despite his nonsensical language, there is a sharp wisdom to the narrator’s words that only those who act without character, foolishly, without morality, will become more successful than intelligent men who only end up limited by their own knowledge. Dostoevsky’s narrator, a disgraced military officer and an owner of a pawnshop, begins the novel with his dead wife’s body still in his living room for grieving after she commits suicide.

We often see archetypes clearly examined in older literature, but these archetypes continue to be used in all types of literature, from children's books to romance and fan fiction.

The man with his antisocial behavior and poor treatment has stripped away her gentle nature, leaving only a scorned woman in the wake of his selfish actions and yet she is stuck with him as his wife. Or to speak with a man and not be happy in loving him?…There are so many things at every step so beautiful” (Dostoevsky 541; pt.4, ch.7).

They repaid me in the same way, and did not conceal their aversion for me. An archetype is a typical character, an action or a situation that seems to represent such universal patterns of human nature.

The author himself was... Other examples:.

As seen in Notes From Underground, the outcast may not always be of sound mind yet can still discuss the perpetual human conflict between free-will and surrendering power to higher states of decision making.

As an outcast, he has never had to concern himself with another person other than himself and he frequently dwells on the events which casted him out of society in the first place. The outcast lives outside of the norms of society, either being cast out or leaving of his own volition, often coping with feelings of anger towards that world or continuing to rebel against normalcy while unable to function in daily life (Crisp 1). The pawnshop owner receives so little contact with other people that he immediately attempts to involve himself further in the world of the young girl and, through bribery, discovers the details about her life.

The other reindeer torment Rudolph because of his shiny red nose, and they refuse to associate with him for this crime. This allows our team to focus on improving the library and adding new essays.The example essays in Kibin's library were written by real students for real classes. Instead of wishing the best and wanting to take care of this girl, he finds amusement in her fear and embraces this animalistic behavior that has grown without society’s parameters of propriety.

Myshkin cannot bear the scandals and unhappiness anymore and he has been haunted by the cruelties of society.

He may be a prince but his sickly condition causes him to be a poor candidate for marriage, something his wealth can not compensate for. “There were no quarrels, but there was silence and- and on her side a more and more defiant air. One event of sinful corruption he becomes entangled in surrounds the pursuit of Nastasya Filippovna, a reckless beauty, a noble woman and a volatile femme fatale notorious for stringing men along, surrounding herself in controversy. The archetype of the outcast is one of those tools, albeit far more complex then the usual models of tragic heroes or femme fatales. He not only takes advantage of her impoverished state, but as he seeks to study this case of struggling in the lower class, and he is willing to manipulate and take advantage of a girl trying to survive in society.The pawnshop owner meets the archetype criteria just like Myshkin and the underground man. This long period of hard labor and isolation would affect anyone and pose a serious challenge to re-integrate back into a society of ideals one does not believe in with a rigid social hierarchy that emphasizes the importance of status and income.

I say that the world may go to pot for me so long as I always get my tea. An outcast himself, as a sickly young boy he kept to himself and suffered from epilepsy, causing him to spend his days indoors while other children his age were playing outside (Teuber 3).

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