Translations of the poem into French, Italian and German were all made in the first half of the 18th century. It remains so secular, in fact, that "Jews might kiss" and "infidels adore" it (II.8).

Although the cross is an obvious Christian symbol, it serves an ornamental, not religious, function. In this case, of course, Belinda's battlefield is the courtly party at Hampton Court Palace. Ariel's suspicion that the foretold "dire disaster" will be a sexual assault further advances the sexual allegory. The final form of the poem appeared in 1717 with the additio

He makes numerous allusions to the British Empire and trade: "One speaks the glory of the British Queen, / And one describes a charming Indian screen" (III.13-4). He figures her toilette as the preparation of an epic hero before battle. What does Thalestris think the Baron will do with the lock? The other women in the poem demonstrate similar behavior. One of the Sylphs. The Baron: Young admirer of Belinda who plots to cut off one of her locks. An imperfect copy having been offered to a Bookseller, you had the good nature for my sake to consent to the publication of one more correct: This I was forced to, before I had executed half my design, for the Machinery was entirely wanting to complete it. Though his duty is to guard Belinda's virtue, Ariel apparently cannot fully protect her from the perils of love. Pope allows for a secondary reading of Belinda's curls as pubic hairs, which emphasizes the theme of sexual violation. Belinda's behavior is likewise less than lady-like. Pope's subversion of religious worship critiques the value society places on appearances rather than morality.8.What are the implications of Clarissa's moralizing speech in the fifth canto of The Rape of the Lock? Who gets accidentally cut by the scissors?

According to Pope's poem, these members of society are only interested in trivial matters, a point which he punctuates in his depiction of the card game as an epic battle. Test your knowledge on all of The Rape of the Lock. Finding her dejected in the arms of the woman Thalestris, Umbriel pours the contents over them both. He utilised the character Belinda to represent Arabella and introduced an entire system of “Pope's poem uses the traditional high stature of classical epics to emphasise the triviality of the incident. The larger varieties of antique scissors are typically referred to as shears. Although Clarissa's conclusions reflect part of Pope's critical agenda, reading Clarissa's speech as Pope's central moral oversimplifies the poem. By replacing the martial hero with a charming lady and the battlefield with a palace, Pope demonstrates the diminishing of epic subject matter, a central concern of his social critique. Canto IV opens with Belinda having a complete hysterical fit about the theft.
Even the poem's nominal hero, the Baron, assumes subservient postures and has to be provided with a weapon by Clarissa. His description of the cross that Belinda wears encapsulates this sacrilege. Clarissa gives the baron a pair of scissors (lines 127-130). Ariel: Belinda’s guardian sylph (supernatural creature).

Women seemingly overreact to the smallest slights while the men are pathetic fops with no courage.

Pope refigures the combs, pins, "puffs, powders, patches" that Belinda uses to prepare herself as the arms and armor of the epic hero (I.138). She declares that because beauty cannot last, women must have other qualities to sustain them after they lose their looks.

The men, by contrast, are mostly foppish and weak. Similarly, when he sees Belinda's attraction to the Baron in "the close recesses of the virgin's thought," he retreats, powerless to defend her (140). He sneaks up behind her and, despite all of the efforts of Ariel and the Sylphs, snips off the lock. Many people, moved by Belinda's grief, demand the lock back, but the Baron is unrepentant and refuses. When she demands that he restore the lock, however, it is nowhere to be found. Pope turns Belinda's severed hair into a star that people can admire for all eternity while his poem immortalizes her beauty.At what time do "sleepless lovers" awake in this poem?To what do the four types of supernatural beings correspond?What does Thalestris think the Baron will do with the lock?What effect does Sir Plume's speech have on the Baron?What happens to the lock of hair at the end of the poem?During Belinda's dream, Ariel explains that the Sylphs are charged with protecting which type of woman?The "goddess" for whom Belinda performs her sacred rites is actually whom or what?How does Belinda's toilette function within the poem?What does Pope specify is the primary function of Belinda's ringlets?To where does Ariel deploy most of his army of Sylphs?Ariel's chief concern is that the foretold "dire disaster" will take what form?Pope likens Belinda's "troops" in the card game to whom?During the card game, how does Pope depict Belinda?How many times does the Baron fail to cut Belinda's hair?When Ariel invades Belinda's brain to warn her, what does he find?What does Clarissa's complicity in the severing of Belinda's hair suggest?Women seek to undermine each other in the competition to find a suitable husband.What does the presence of Ill-Nature and Affectation at Belinda's side suggest?How does Thalestris try to convince Belinda to avenge herselfShe explains that Baron will display Belinda's hair for the amusement of othersConfront the Baron and ask for the return of Belinda's hair

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