She goes into a description of this woman so intimately that it felt like I didn't want to say that directly to him. Set your heart at rest. A Midsummer Night's Dream A Midsummer Night's Dream Classic Shakespeare play adapted for television by Russell T Davies. 'Cause I want to be at the centre of your universe.The cast consider the importance of the child at the centre of Titania and Oberon's argument.They explore staging choices for conveying Titania's feelings and memories of the child’s mother, the votress.This short film is from the BBC series, Shakespeare Unlocked.This short film offers a demonstration of different staging choices complementing different readings of the text.Before watching the workshop, ask your students to consider how people feel about having babies, and why a child might change people's relationships with each other.After sharing ideas, you could discuss with your class what it feels like to have a little brother or sister— might you be jealous that your parents' attention is focused on the new baby?Would you want to help look after the baby, or be important to the baby?Explore how these feelings might resemble feelings that adults could have.After watching the workshop, ask students how did the actors choose to portray the baby?What effect does this have on Oberon? "NANCY MECKLER: And what we decided to do was to bring to life the Votress, so that the audience can really get what Titania's talking about.PIPPA NIXON:

Learn more about Titania, Oberon, Puck, Bottom and who's who among the other important characters. I'm so frustrated with you because it's so simple.

His mother was a Votress of my order.

Why did Shakespeare write that whole speech about the Votress?PIPPA NIXON: My students love how organized the handouts are and enjoy tracking the themes as a class.”

Oberon wants it but Titania has the child and it's her way of having some power over him.JO STONE-FEWINGS:

The book is in PDF, EPub, Mobi/Kindle format. Teachers and parents! I want to-- It's almost like I want to get the child to get rid of that affection that you have for him.JO STONE-FEWINGS:

"PIPPA NIXON:

Teachers and parents! That moment at the very beginning of the play is terribly important, the fact that she has the boy, he wants the boy, this is what they're arguing about.PIPPA NIXON:

...meets with Robin Goodfellow. “Would not have made it through AP Literature without the printable PDFs. And you sit down with it and then you just say you're not having it, you're not having it, because I tell you something, something so special, something so special and if you-- I think maybe if you just physicalise a bit as you're listening, just by moving back and forth, like a sort of, "I find this unbearable. When we have laughed to see the sails conceive and grow big-bellied with the wanton wind, which she, with pretty and with swimming gait following.PIPPA NIXON: The A Midsummer Night's Dream quotes below are all either spoken by Titania or refer to Titania.

They discuss the conflict between Oberon, king of the fairies, and Oberon says that he now feels sorry for Note: all page numbers and citation info for the quotes below refer to the Simon & Schuster edition of (including LitCharts Teacher Editions.

It was something so private that I...PIPPA NIXON: They're like having in-class notes for every discussion!” Struggling with distance learning? AMANDA WILKIN: NANCY MECKLER: Clockwise, left to right: Gwendoline Christie as Titania, David Moorst as Puck, Oliver Chris as Oberon, Hammed Animashaun as Bottom, and Ryan Bawa in A Midsummer Night’s Dream.A Midsummer Night’s Dream, by William Shakespeare, directed by Nicholas Hytner for Bridge Theatre, streaming here as part of the National Theatre at Home series through July 2, 2020

I was real and I was part of your journey and our journey was important. Our This short film is suitable for teaching English literature and drama at GCSE and National 4/5.

The cast explore the importance of the child at the centre of Titania and Oberon's argument. They completely demystify Shakespeare. It's a wonderful monologue that Titania has when she's describing how she got the child and what her friendship to the Votress meant.

The fairy land buys not the child of me. A look at how Titania shows Oberon the impact of their argument on the world, discussing Shakespeare's use of language and imagery.The King and Queen of the Fairies meet for the first time.Bottom and Quince battle to be the most important person present and experiment with playing the characters as high and low status.The company explore comic timing, playing for laughs and how to make Bottom funny.A group of working men meet to prepare a play for the court.How might Helena and Demetrius have met and how might their relationship have developed?Different ways of playing Helena: as victim, as temptress, or as a reasonable woman.Demetrius goes to the woods to find Hermia, with Helena in hot pursuit.AMANDA WILKIN:

What would it be like if we didn't see her? Students love them!” It's about loyalty, it's about love.

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